Holiday Schmoliday

All this talk about holidays lately—whether you are missing your fortnight on the Costa Del Sol, or arguing about the definition of the word ‘staycation’—got me thinking that I might try actually having one. So I arranged for all my teaching commitments to be postponed for a week, leaving the whole Easter weekend free.

To do what?

Aha! You see, I hadn’t actually thought it through. I hadn’t stopped to notice that ALL of my voice coaching clients have their lessons on Fridays, Saturdays and Mondays. And I had managed to completely forget that I hate holidays. That’s how long it is since I took one.

wood pigeon on top of the bird feeding house.

So here I am, Easter Monday, with only half a day left of my so-called holiday to figure out what on earth my non-existent plan consisted of. But I can tell you this: I’ve written the next episode, “Saving Grounds”, I’ve had a wonderful picnic in my garden with a couple of friends. Nibbles with Prosecco. I highly recommend it. I’ve kept the local wood pigeons fed and entertained, from their new feeding house next to the window by my desk. I’ve written half a song and two-thirds of a poem. I’ve made my first batch of coconut yoghurt. And I’ve a pretty good idea how the next two episodes will start. No idea where they will end up, because I never do. And I had a wonderful long catchup call with a dear friend, six months younger than me, who happily, defiantly, proudly refers to herself as ‘old’.

Thanks so much to the kind, lovely folk who have donated, anonymously and otherwise, to my “let’s pay Buzzsprout for the full hosting service” fund raising campaign. If you’d like to join them, head over to the Are You Enjoying The Programme page for further details.

Stay safe!

Published by Flloyd Kennedy

Flloyd has performed as a traditional folk singer, cabaret artist and street performer, as well as being founding artistic director of Golden Age Theatre, Glasgow. She performed in Scotland with a number of touring companies before returning to Australia in 1997. Now based in Liverpool, UK, Flloyd shares her experience with student and professional actors, professional men and women, community groups and youth theatres. The human voice in performance is her passion and she is deeply committed to encouraging everyone to explore their potential, in all walks of life. Flloyd Kennedy's approach to actor training has been influenced by some of the world's foremost voice and theatre practitioners, including Valerii Galendiev of The Maly Drama Theatre of St Petersburg (Russia), Anna Petrova of the Moscow Art Theatre School (Russia), Shauna Kanter (USA), Krszysztov Miklasewski (Poland), Frankie Armstrong, John Wright (England), Harriet Buchan (Scotland), Marcia McCallum (Australia) and Ira Seidenstein (Australia).

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