Writing frenzy

OK, I’m exaggerating. But I’m excited! So I’ve started writing a new episode before I’ve even recorded the last one. And new characters are popping up insisting on getting into the action.

In other news, I’ve invited a friend and colleague, the wonderful Australian actress Allana Noyes, to play a role. This morning we experimented with recording our dialogue over Zoom. Now that was fun. Pure joy to be reading with someone else, and Allana has a great sense of the ridiculous. Zoom records our audio tracks separately, so the plan is to import the two tracks into Audacity, and play with any edits necessary. We shall see! It’s all a great adventure, from where this (are-you-sure-I’m-not-old-yet?) senior citizen is sitting.

Published by Flloyd Kennedy

Flloyd has performed as a traditional folk singer, cabaret artist and street performer, as well as being founding artistic director of Golden Age Theatre, Glasgow. She performed in Scotland with a number of touring companies before returning to Australia in 1997. Now based in Liverpool, UK, Flloyd shares her experience with student and professional actors, professional men and women, community groups and youth theatres. The human voice in performance is her passion and she is deeply committed to encouraging everyone to explore their potential, in all walks of life. Flloyd Kennedy's approach to actor training has been influenced by some of the world's foremost voice and theatre practitioners, including Valerii Galendiev of The Maly Drama Theatre of St Petersburg (Russia), Anna Petrova of the Moscow Art Theatre School (Russia), Shauna Kanter (USA), Krszysztov Miklasewski (Poland), Frankie Armstrong, John Wright (England), Harriet Buchan (Scotland), Marcia McCallum (Australia) and Ira Seidenstein (Australia).

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